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Dialog ((ロシア語:Диалог)) was a Soviet rock group formed in 1978 in Nikolayev by singer, composer, arranger, keyboardist and songwriter Kim Breitburg. The band played progressive/art rock with the elements of new wave, synth-pop and reggae, often resorting to the works of professional poets, like Arseny Tarkovsky, Semyon Kirsanov, Yuri Levitansky and Justinas Marcinkevičius. Dialog's live appearances featured impressive light and laser show, unique for the Soviet pop and rock scene. The first Soviet rock band to tour Europe, they performed at the 1987 MIDEM festival, representing the Soviet recording industry. In 1991 Dialog disbanded. Briefly (in 1992-1993) Breitburg used the moniker Gruppa Dialog for a totally different band which he formed with brothers Konstantin and Valery Meladze. ==Band history== The band's history goes back to 1969 when Kim Breitburg (vocals, keyboards, guitar), Viktor Bezugly (bass, vocal), Viktor Litvinenko (guitar) and Anatoly Deynega (drums) formed in Nikolayev the pop band Kodry (Кодры) which soon became one of the most popular in the city. It disbanded, as most of its members got drafted. Breitburg's next project Baikonur in 1975 signed with the Jezkazgan Philharmonics. A year later they returned home, now as Gaudeamus, with Breitburg and his new line-up starting to explore the possibilities of the quasi-classical musical format, with the 30-minute art rock suite ''Zemlya Lyudei'', Land of Humans. The elements of musical theatre were now featured in the band's stage shows, as well as first experiments with visual arts.〔 Next year the band moved to the Novosibirsk Philharmonics where it was renamed into Gulliver. In 1977 they returned to Nikolayev, the line-up now featuring guitarists Viktor Litvinenko and Mikhail Pirogov, Viktor Radiyevsky (bass, vocals), Sergey Vasilchenko (keyboards, vocals), Anna Salmina (violin, vocals), Sergey Babkov (drums), as well as the brass section. In 1978 they became the laureates of the Second All-Union Competition of Pop Artists held in Zaporozhye, performing there under the moniker Poyushchiye yungi (Singing Shipboys). Later that year they changed the name for the last time and, as Dialog, signed to the Donetsk Philharmonics. Being encouraged here in their experiments, they came up with the musical spectacle ''Slovo ob Igorevom pokhode'' (based on the 12th century Russian folklore epic ''Tale of Igor's Campaign'') to be produced and performed in different Soviet cities in the course of the tour that followed. That same year drummer Anatoly Deynega returned to the band.〔 In March 1980 Dialog took part in the Tbilisi Spring Rhythms Festival. They performed the art rock suite ''Pod Odnim Nebom'' (Under the Common Sky) based on the poem by Semyon Kirsanov and were awarded the 3rd prize, Breitburg winning in the Best vocalist category.〔 Dialog went on to perform at the Sochi Song Festival and by the end of 1980 have dropped the brass section. Pirogov also quit, replaced by singer Vladimir Larchenko.〔 In 1981 Dialog moved to the Kemerovo Philharmonics and staged there another Breitburg's magum opus, the prog rock suite ''Ya Chelovek'' (I Am Human) based on the poem by the Lithuanian poet Justinas Marcinkevičius. The band embarked upon another tour, impressively produced concerts now divided into two parts, the first presenting the suite, the second a more pop/rock-oriented set, both backed by the unique (for the Soviet standards, anyway) light and laser show.〔 The mainstream Soviet press ignored them but specialists praised Dialog's delicate treatment of 'serious' poetry by Kirsanov, Marcinkevičius, Arseny Tarkovsky, Vadim Shefner and Yuri Levitansky, processed through artful arrangements, following the route set in the early 1970s by bands like Genesis and Yes.〔 In 1982 Larchenko left, to be replaced by Nikolai Shevchenko (keyboards, vocals) from the Simferopol band Interview, and guitarist Yuri Nikiforov. In 1984 the group produced on stage art rock suite ''Razdeli so mnoi'' (Share With Me), after another poem by Marcinkevičius. Next, in 1986 came ''Odnazhdy zavtra'' (Sometimes Tomorrow), the prog rock take on Semyon Kirsanov's poem of the same name.〔 The 1983 compilation ''Kvadratny chelovek'' (Square Man) was released originally on tape and became popular with the audiences of the Soviet discotheques and youth clubs.〔 The band debuted officially on vinyl with ''Prosto'' (Simple, 1985, Melodia), followed by ''Detective'' (1986). In December 1986 Dialog performed at the Rock-Panorama event in Moscow. In the early 1987 they went to France to represent the Soviet recording industry at the MIDEM in Cannes and had considerable success.〔 Over the next four years Dialog, touring continuously, performed in 23 countries, including Great Britain, where, alongside Avtograf they gave what the Thames TV called the 'historic performance' at the Capital Radio festival in the Hammersmith Odeon, this being 'the first time that the musicians from the Soviet Union have ever played at the UK.' "It took Capital Radio three years and five visits to get permission for the two groups to come over and take part in (1987 ) music festival," according to reporter Tricia Ingrams.〔(Dialog in London ). Thames TV coverage〕 In London they enjoyed warm reception and appreciative, friendly atmosphere. "I instantly felt at home," the singer later wrote in his autobiography, mentioning the friendships they made, notably with Steve Hackett whom a year later they invited to perform at the 1988 Tallinn Rock festival.〔 (Kim Breitburg. Autobiography. )〕 On return to the USSR they found things changed. The 'new wave' of lip-synching pop bands took over the concert scene to make the 'serious' rock ensembles looking old-fashioned and irrelevant. Vasilchenko, Nikiforov and Shevschenko left to be replaced by guitarist Toomas Vanem and keyboardist Andrey Dolgikh, both from Tallinn's Radar. Dialog's music became heavier,〔 but the ''Dialog-3'' (1988) album recorded by this line-up received mixed reviews〔(R. Shebalin's reviews. ) Discography at the band's unofficial site〕 and was ignored by the public. Soon after the 1991 release of ''Poseredine mira'' (Посередине мира, At the Center of the World, a suite written by Konstantin Meladze and Breitburg and based on Arseny Tarkovsky's poetry) Dialog disbanded.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dialog (band)」の詳細全文を読む スポンサード リンク
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